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艾米·洛威爾經(jīng)典詩(shī)歌:The Cross-Roads

時(shí)間: 焯杰674 分享

  艾米·洛威爾,美國(guó)詩(shī)人,她的第一部詩(shī)集是《多彩玻璃頂》。1913年她在實(shí)驗(yàn)性的意象派運(yùn)動(dòng)中脫穎而出,并繼埃茲拉·龐德之后而成為該運(yùn)動(dòng)的領(lǐng)袖人物。她運(yùn)用“自由韻律散文”和自由詩(shī)的形式進(jìn)行創(chuàng)作,被稱為“無(wú)韻之韻”。下面學(xué)習(xí)啦小編為大家?guī)?lái)艾米·洛威爾經(jīng)典詩(shī)歌:The Cross-Roads,歡迎大家閱讀!

  A bullet through his heart at dawn. On

  the table a letter signed

  with a woman's name. A wind that goes howlinground the

  house,

  and weeping as in shame. Cold November dawnpeeping through

  the windows,

  cold dawn creeping over the floor, creeping up hiscold legs,

  creeping over his cold body, creeping across his coldface.

  A glaze of thin yellow sunlight on the staring eyes. Wind

  howling

  through bent branches. A wind which never dies down. Howling,

  wailing.

  The gazing eyes glitter in the sunlight. The lids are

  frozen open

  and the eyes glitter.

  The thudding of a pick on hard earth. A spade grinding

  and crunching.

  Overhead, branches writhing, winding, interlacing, unwinding, scattering;

  tortured twinings, tossings, creakings. Wind flinging

  branches apart,

  drawing them together, whispering and whining among them. A

  waning,

  lobsided moon cutting through black clouds. A stream

  of pebbles and earth

  and the empty spade gleams clear in the moonlight, then is rammed

  again

  into the black earth. Tramping of feet. Men

  and horses.

  Squeaking of wheels.

  "Whoa! Ready, Jim?"

  "All ready."

  Something falls, settles, is still. Suicides

  have no coffin.

  "Give us the stake, Jim. Now."

  Pound! Pound!

  "He'll never walk. Nailed to the ground."

  An ash stick pierces his heart, if it buds the

  roots will hold him.

  He is a part of the earth now, clay to clay. Overhead

  the branches sway,

  and writhe, and twist in the wind. He'll never walk with

  a bullet

  in his heart, and an ash stick nailing him to the cold, black ground.

  Six months he lay still. Six months. And the

  water welled up in his body,

  and soft blue spots chequered it. He lay still, for the

  ash stick

  held him in place. Six months! Then her face

  came out of a mist of green.

  Pink and white and frail like Dresden china, lilies-of-the-valley

  at her breast, puce-coloured silk sheening about her. Under

  the young

  green leaves, the horse at a foot-pace, the high yellow wheels of

  the chaise

  scarcely turning, her face, rippling like grain a-blowing,

  under her puce-coloured bonnet; and burning beside her, flaming

  within

  his correct blue coat and brass buttons, is someone. What

  has dimmed the sun?

  The horse steps on a rolling stone; a wind in the branches makes

  a moan.

  The little leaves tremble and shake, turn and quake, over and over,

  tearing their stems. There is a shower of young leaves,

  and a sudden-sprung gale wails in the trees.

  The yellow-wheeled chaise is rocking -- rocking,

  and all the branches

  are knocking -- knocking. The sun in the sky is a flat,

  red plate,

  the branches creak and grate. She screams and cowers,

  for the green foliage

  is a lowering wave surging to smother her. But she sees

  nothing.

  The stake holds firm. The body writhes, the body squirms.

  The blue spots widen, the flesh tears, but the stake wears well

  in the deep, black ground. It holds the body in the still,

  black ground.

  Two years! The body has been in the ground twoyears. It

  is worn away;

  it is clay to clay. Where the heart moulders, agreenish

  dust, the stake

  is thrust. Late August it is, and night; a nightflauntingly

  jewelled

  with stars, a night of shooting stars and loud insectnoises.

  Down the road to Tilbury, silence -- and the slow flapping of large

  leaves.

  Down the road to Sutton, silence -- and the darkness of heavy-foliaged

  trees.

  Down the road to Wayfleet, silence -- and the whirring scrape of

  insects

  in the branches. Down the road to Edgarstown, silence

  -- and stars like

  stepping-stones in a pathway overhead. It is very quiet

  at the cross-roads,

  and the sign-board points the way down the four roads, endlessly

  points

  the way where nobody wishes to go.

  A horse is galloping, galloping up from Sutton. Shaking

  the wide,

  still leaves as he goes under them. Striking sparks with

  his iron shoes;

  silencing the katydids. Dr. Morgan riding to a child-birth

  over Tilbury way;

  riding to deliver a woman of her first-born son. One

  o'clock from

  Wayfleet bell tower, what a shower of shooting stars! And

  a breeze

  all of a sudden, jarring the big leaves and making them jerk up

  and down.

  Dr. Morgan's hat is blown from his head, the horse swerves, and

  curves away

  from the sign-post. An oath -- spurs -- a blurring of

  grey mist.

  A quick left twist, and the gelding is snorting and racing

  down the Tilbury road with the wind dropping away behind him.

  The stake has wrenched, the stake has started,

  the body, flesh from flesh,

  has parted. But the bones hold tight, socket and ball,

  and clamping them down

  in the hard, black ground is the stake, wedged through ribs and

  spine.

  The bones may twist, and heave, and twine, but the stake holds them

  still

  in line. The breeze goes down, and the round stars shine,

  for the stake

  holds the fleshless bones in line.

  Twenty years now! Twenty long years! The body

  has powdered itself away;

  it is clay to clay. It is brown earth mingled with brown

  earth. Only flaky

  bones remain, lain together so long they fit, although not one bone

  is knit

  to another. The stake is there too, rotted through, but

  upright still,

  and still piercing down between ribs and spine in a straight line.

  Yellow stillness is on the cross-roads, yellow

  stillness is on the trees.

  The leaves hang drooping, wan. The four roads point four

  yellow ways,

  saffron and gamboge ribbons to the gaze. A little swirl

  of dust

  blows up Tilbury road, the wind which fans it has not strength to

  do more;

  it ceases, and the dust settles down. A little whirl

  of wind

  comes up Tilbury road. It brings a sound of wheels and

  feet.

  The wind reels a moment and faints to nothing under the sign-post.

  Wind again, wheels and feet louder. Wind again -- again

  -- again.

  A drop of rain, flat into the dust. Drop! -- Drop! Thick

  heavy raindrops,

  and a shrieking wind bending the great trees and wrenching off their

  leaves.

  Under the black sky, bowed and dripping with rain,

  up Tilbury road,

  comes the procession. A funeral procession, bound for

  the graveyard

  at Wayfleet. Feet and wheels -- feet and wheels. And

  among them

  one who is carried.

  The bones in the deep, still earth shiver and pull. There

  is a quiver

  through the rotted stake. Then stake and bones fall together

  in a little puffing of dust.

  Like meshes of linked steel the rain shuts down

  behind the procession,

  now well along the Wayfleet road.

  He wavers like smoke in the buffeting wind. His

  fingers blow out like smoke,

  his head ripples in the gale. Under the sign-post, in

  the pouring rain,

  he stands, and watches another quavering figure drifting down

  the Wayfleet road. Then swiftly he streams after it. It

  flickers

  among the trees. He licks out and winds about them. Over,

  under,

  blown, contorted. Spindrift after spindrift; smoke following

  smoke.

  There is a wailing through the trees, a wailing of fear,

  and after it laughter -- laughter -- laughter, skirling up to the

  black sky.

  Lightning jags over the funeral procession. A heavy clap

  of thunder.

  Then darkness and rain, and the sound of feet and wheels.

艾米·洛威爾經(jīng)典詩(shī)歌:The Cross-Roads

艾米洛威爾,美國(guó)詩(shī)人,她的第一部詩(shī)集是《多彩玻璃頂》。1913年她在實(shí)驗(yàn)性的意象派運(yùn)動(dòng)中脫穎而出,并繼埃茲拉龐德之后而成為該運(yùn)動(dòng)的領(lǐng)袖人物。她運(yùn)用自由韻律散文和自由詩(shī)的形式進(jìn)行創(chuàng)作,被稱為無(wú)韻之韻。下面學(xué)習(xí)啦小編為大家?guī)?lái)
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