英語(yǔ)經(jīng)典散文譯文
英語(yǔ)經(jīng)典散文譯文
英語(yǔ)散文的發(fā)展歷程十分曲折,散文大家風(fēng)格多變,兼之中英語(yǔ)言個(gè)性殊異,若要成功地把英語(yǔ)散文大家的作品翻譯到中文,既須了解英語(yǔ)散文發(fā)展的概況,又須注意保證氣韻邏輯通暢,文氣沛然,才能傳神譯出,曲盡其妙,令漢語(yǔ)讀者獲得相同或相近的審美感受。下面學(xué)習(xí)啦小編為大家?guī)?lái)英語(yǔ)經(jīng)典散文譯文，歡迎大家閱讀!
英語(yǔ)經(jīng)典散文：我有一個(gè)志愿
我是個(gè)沒(méi)有什么大志愿的人。我向來(lái)沒(méi)說(shuō)過(guò)自己有如何了不起的學(xué)問(wèn)與天才，也沒(méi)覺(jué)得誰(shuí)的職業(yè)比我自己的高貴或低賤。我只希望吃的飽，穿的暖，而盡心盡力的寫(xiě)些文章。
I am not an amb’s profession as superior or inferior. I merely hope to have enough to eatand enough to wear so that I can dedicate myself to writing.
在寫(xiě)文章中我可是有個(gè)志愿——希望能寫(xiě)出一本好的劇本來(lái)。雖然我是沒(méi)有什么遠(yuǎn)大志愿的人，這個(gè)志愿——寫(xiě)個(gè)好劇本——可的確不算很小。要達(dá)到這個(gè)志愿，我須第一，去讀很多很多的書(shū)——頂好是能上外國(guó)去讀幾年書(shū)。第二，我須有戲必看，去“養(yǎng)”我的眼睛。第三，我想我應(yīng)當(dāng)?shù)绞裁磩F(tuán)中作二年職員，天天和導(dǎo)演、演員、與其他的專門(mén)的技術(shù)人員有親密的接觸。第四，或者我還應(yīng)當(dāng)學(xué)學(xué)演戲，常扮個(gè)什么不重要的角色。把上述四項(xiàng)都作到，我還不知道我是否有寫(xiě)劇的天才。假若沒(méi)有，我的工夫雖然下到了，可還是難以如愿。這個(gè)志愿真的不算小!
Talking about writing, I have a dream to realize. I hope I can write a good play some day. Thisdream, however, is not a small one. To realize my dream, firstly I need to read a lot or, betterstill, spend a couple of years studying abroad. Secondly, I must go to the theater and see asmany plays as possible to cultivate my eyes. Thirdly, I should get a job at the theater for ayear or two to be in everyday contact with directors, actors and all kinds of technicians.Fourthly, perhaps, I should also learn some acting, getting a minor role to play from time totime. Even with all these prerequisites fulfilled, I am still not sure that I have the aptitude of aplaywright. If not, my dream cannot come true even if I have worked the hardest. So you see,in this sense, my dream is really not a small one.
恐怕有人以為我不很實(shí)誠(chéng)吧——寫(xiě)個(gè)劇本也值得發(fā)這么大的愿?好，讓咱們往遠(yuǎn)里說(shuō)說(shuō)吧。第一，即使在沒(méi)有用文字寫(xiě)出來(lái)的小說(shuō)的民族中，他們也必定有口傳的詩(shī)歌與故事，人，從一個(gè)意義來(lái)說(shuō)，是活在記憶中的。他記得過(guò)去，才關(guān)切將來(lái)。否則他們活在虛無(wú)飄渺中，不知自己從何而來(lái)，和要往哪里去。因此，文藝——不管是寫(xiě)出來(lái)的還是口傳的一一老不會(huì)死亡。文藝出喪的日子，也就是文化死亡的時(shí)候。
You might think I am not telling the truth一making such a ftiss over the mere writing of a play.Very well. Let us look at the matter in a broader perspective. Even in a nation without writtenfiction, there must be bAllads and folk-tales passed down orally. Man, in a sense, lives inmemory. As he remembers the past, he cares for the future. Otherwise he loses his sense ofcontinuity not knowing where he comes from and where he is going. Therefore, literature andarts, either in written form or oral, will never die. If they did, culture would die too.
你看，文藝有多么重要!
You see how important literature and arts are!
第二，等到文化較高了，人們——受宗教的或社會(huì)行動(dòng)的帶動(dòng)——才發(fā)明了戲劇。戲劇比詩(shī)歌與故事年輕，而在服裝上，動(dòng)作上，談吐上，都比它的哥哥們更漂亮、活潑、文雅的多。戲劇把當(dāng)時(shí)的文化整個(gè)的活現(xiàn)在人的眼前。文化有多么高，多么大，它也就有多么高，多么大。有了戲劇的民族，不會(huì)再返歸野蠻，它需要好的故事，好的思想，好言語(yǔ)，好的音樂(lè)、服裝、跳舞，與好的舞臺(tái)。它還需要受過(guò)特別訓(xùn)練的演員與有教養(yǎng)的觀眾。它不但要包括藝術(shù)，也要包括文化!戲劇，從一個(gè)意義來(lái)說(shuō)，是文化的發(fā)言人。假如你還不大看起戲劇，就請(qǐng)想想看吧，有沒(méi)有第二個(gè)東西足以代替它?準(zhǔn)保沒(méi)有!再看看，哪一個(gè)野蠻民族“有”真正的戲劇?和哪個(gè)文化高的民族，“沒(méi)有”戲劇?
And then, it was not until culture was further developed that man, stimulated by religious andsocial activities, invented drama. Drama is a genre much younger than poetry and fiction, butmore beautiful and lively and more refined in constume, acting and monologue or dialogue.Drama presents to the audience the culture of the day in a vivid manner. It develops along withculture. When a nation is developed in drama, it can never be barbarized again because dramarequires good stories with good ideas, refined language and good music, graceful dancing anda good stage; it also requires well-trained actors and actresses and well-mannered audiences. Itis integrated with arts and culture as well. To a certain degree drama is the spokesman ofculture. If by now you still held drama in contempt, I’d like you to think about one question: Isthere anything else that can substitute for drama? I can assure you there is none. Here isanother question for you to think about: Is there any barbarous tribe that is developed in realdrama or any civilized country that is without drama?
你看，戲劇有多么重要!
You see how important drama is!
戲劇既是這么大的東西，我怎能不為要寫(xiě)個(gè)劇本而下個(gè)很大的志愿呢?它的根子雖然生長(zhǎng)在文藝的園地里，它所吸取的卻是藝術(shù)全部的養(yǎng)分啊!
Since drama is so important, don't you think I should make a resolution to write one? Drama isrooted in the soil of literature and arts, but it absorbs nourishment All arts.
好吧，雖然我是個(gè)沒(méi)有什么遠(yuǎn)志的人，我卻要在今天——戲劇節(jié)一一定下這么一個(gè)大志愿。這并不是要湊湊熱鬧，而是想在文化的建設(shè)中寫(xiě)寫(xiě)少不得的戲劇呀!文化滋養(yǎng)藝術(shù)，藝術(shù)又翻回頭來(lái)領(lǐng)導(dǎo)文化，建設(shè)文化。在藝術(shù)中，能綜合藝術(shù)各部門(mén)而求其總效果的，只有戲劇。
Well, though I am not an ambitious person, I want to make a resolution on the occasion ofthis Drama Festival. I don’t mean to add to the clamor but to write some plays that areindispensable to the growth of culture. Literature and arts take nourishment from culture andat the same time guide and promote culture. Of all the genres of literature and arts, drama isthe only one that integrates other arts with their artistic effects.
抗戰(zhàn)與文化建設(shè)須攜手而行。那么，我要立志寫(xiě)個(gè)好劇本，大概并不能算作無(wú)聊。至于我能否如愿以償，那就看我的努力如何了。愿與戲劇同仁共勉之。
The construction of culture has an important role to play in the War against JapaneseAggression. So when I say I want to write a good play, I am not talking nonsense. As forwhether I will be able to realize my dream, it all depends on how hard I work. I am willing towork in this field together with my friends and colleagues to achieve this goal.
英語(yǔ)經(jīng)典散文：運(yùn)動(dòng)員的情操
在世界錦標(biāo)賽決賽時(shí)，一位跳板跳水名將被他的同胞戰(zhàn)友擊敗，卻熱烈擁抱勝利者，滿含熱淚向觀眾揮手告別。一位優(yōu)秀的女擊劍手在決勝的一局倒下了，不是倒在敵手的劍下，而是因?yàn)樽约和蝗患∪獐d攣。
A veteran springboard diver, defeated by his compatriot in the finals of a worldchampionship, offering congratulations to the victor in a warm embrace and waving a tearfulfarewell to the audience. An outstanding female fencer falling in a decisive set not under theattack of her rival’s sword but as a result of a muscular spasm of her own.
這類事情在體壇司空見(jiàn)慣，但是這些英雄的悲劇場(chǎng)景不僅使失敗的英雄熱淚盈眶，而且使觀眾為之落淚。運(yùn)動(dòng)員把一生最美好的時(shí)光貢獻(xiàn)出來(lái)，艱苦訓(xùn)練，激烈拼搏，希望成績(jī)蒸蒸日上。如今他們過(guò)了巔峰走下坡路，仍然奮力發(fā)揮，力爭(zhēng)為自己光輝的運(yùn)動(dòng)生涯劃上一個(gè)完美的句號(hào)。
Those are common occurrences in the athletic world but they are scenes of tragic heroismbringing tears to the eyes of the outgoing heroes as well as the audience. Sportsmen spendthe best part of their lives in tough training and fierce competitions fighting for ever betterrecords. When it bccomcs evident they are on the decline they still make strenuous efforts togive their best so as to bring a satisfactory end to their brilliant career.
人生能有幾回搏!生命有限，競(jìng)技生命更是短暫的。運(yùn)動(dòng)員比任何人更深刻地認(rèn)識(shí)到時(shí)光易逝機(jī)會(huì)難得。他會(huì)珍惜并利用每—分鐘，抓住任何一個(gè)機(jī)會(huì)。他付出許多，也得到許多，不僅為自己也為袓國(guó)贏得榮譽(yù)。
Chances to compete for championship are few and far between. Life is short. Still shorter isthe time for an athlete trying to win games. None other than an athletic contestant feels sokeenly about the rarity of opportunity and the fleeting of time. He cherishes every minute,makes full use of it and tries to grasp any chance coming his way. He gets as much as he gives,winning honours not only for himself but also for his country.
參與并取勝，這就是奧林匹克精神。它表現(xiàn)于弱者敢于向強(qiáng)者挑戰(zhàn)，也表現(xiàn)于強(qiáng)者力爭(zhēng)取得更好的成績(jī)。勝而又勝，優(yōu)而更優(yōu)，這種理想一直鼓舞著運(yùn)動(dòng)員奮力前進(jìn)。他會(huì)盡其所能，永不松懈，永不罷休。有人說(shuō)競(jìng)技者終究會(huì)是失敗者，即使是最佳運(yùn)動(dòng)員也終將被更強(qiáng)者淘汰。成千上萬(wàn)個(gè)失敗者才涌現(xiàn)一個(gè)勝利者，這個(gè)勝利者最終仍將被取代，擠出光榮榜——這就是競(jìng)技運(yùn)動(dòng)的規(guī)律。然而運(yùn)動(dòng)員卻從不為這種不可避免的失敗結(jié)局所沮喪，仍然力爭(zhēng)最佳發(fā)揮。實(shí)在到了自知技窮之時(shí)，他會(huì)愉快地退下來(lái)，讓位給年輕的優(yōu)勝者，并對(duì)自己在奧林匹克運(yùn)動(dòng)中爭(zhēng)取更好成績(jī)盡了一份力而心滿意足。他會(huì)自豪地說(shuō)他的靑春沒(méi)有虛度。
To participate and to win—that is the Olympic spirit. It finds expression in the weak daring todefy the strong, and the strong striving for ever better performance. Ever better—the idealalways luring a sportsman forward. He will do everything he can for it, never relax, never giveup. It is said that none of the competitors can avoid being defeated—even the best is bound tobe surpassed by someone still stronger. This is the rule of sports—thousands of losers to setoff one victor who in turn will eventually be replaced by someone on the honour list. However,undaunted by the inevitable failure, he is always striving to do the best he can. When thetime comes and he knows he he will step down happily to give place to the younger winner,aware contentedly of the fact that he has done his bit for the “ever better” records of theOlympic Games. He will say proudly that he has not lived his youth in vain.
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