《后會(huì)無(wú)期》是一部由韓寒擔(dān)任編劇及導(dǎo)演，由馮紹峰、陳柏霖、鐘漢良、王珞丹、袁泉、陳喬恩聯(lián)合主演的喜劇愛(ài)情冒險(xiǎn)公路電影，講述了幾個(gè)在東極島長(zhǎng)大的年輕人決定重新選擇自己的前路，在他們橫跨大陸的自駕旅途上的傳奇經(jīng)歷與際遇讓他們有了各自不同的命運(yùn)歸宿的故事。影片于2014年07月24日在中國(guó)內(nèi)地上映。

　　后會(huì)無(wú)期觀后感英文

　　I watched Han Han’s directorial debut, The Continent, and the latest installment of Guo Jingming’s Tiny Times series, around the same time. The reason is obvious. Both of them are best-selling authors who have turned into film directors.

　　不久前，我先后看了韓寒的導(dǎo)演處女作《后會(huì)無(wú)期》和郭敬明的《小時(shí)代3》。原因顯而易見(jiàn)，他們都是由暢銷書(shū)作家轉(zhuǎn)型而成的電影導(dǎo)演。

　　While I found Guo’s Tiny Times 3 amusing, with The Continent, which was released a week later, I went to the cinema thinking: “Well, this may be something I’ve been waiting for — a more serious film.” No offense to Guo and his Tiny Times. Maybe I’m just a bigger fan of Han, believing that the talented writer, racecar driver and opinion leader is capable of making something special.

　　盡管郭敬明的《小時(shí)代3》比《后會(huì)無(wú)期》早上映一周，而且看上去很有趣，但是，去電影院時(shí)，我想，“這(《后會(huì)無(wú)期》)也許就是我一直期待的：一部嚴(yán)肅的電影。”當(dāng)然，我無(wú)意冒犯郭敬明和他的《小時(shí)代3》。也許，這只是因?yàn)槲腋矚g韓寒，相信這樣一個(gè)才華橫溢的作家、賽車手、以及意見(jiàn)領(lǐng)袖有能力創(chuàng)造出一些與眾不同的作品。

　　Generally, The Continent is about three young men from an island off east China who go on a road trip to the western regions and, along the way, fulfill some of their personal goals. Unsurprisingly, it’s about youth, dreams and farewells.

　　電影《后會(huì)無(wú)期》主要講述了來(lái)自中國(guó)東邊海島的三個(gè)年輕人，橫跨中國(guó)大陸去往西部，一路完成各自人生目標(biāo)的故事。毋庸置疑，這是一個(gè)關(guān)于青春，夢(mèng)想與告別的故事。

　　The subject matter is a fitting but safe choice by Han, and his signature literary style and humor is present throughout the 100 minutes. Of course, working on a 50-million-yuan film project is so much more complicated than writing a novel. For example, how do you transfer the script to a limited number of frames; or how do you convey Han’s vision through the actors’ performances?

　　這個(gè)主題對(duì)韓寒而言是一個(gè)合適而安全的選擇，韓寒標(biāo)志性的文學(xué)風(fēng)格以及韓式幽默在100分鐘的電影里被發(fā)揮的淋漓盡致。當(dāng)然，拍攝一部5000萬(wàn)元的電影要比創(chuàng)作一部小說(shuō)要復(fù)雜的多。比如，如何通過(guò)有限的畫(huà)面展現(xiàn)劇本的內(nèi)容?如何通過(guò)演員的表演準(zhǔn)確地傳達(dá)韓寒的想法?